Edward Runci is an outstanding but unfortunately little-known or
talked-about master of pin-ups in oil. His luxuriant brush strokes
reveal a talent and skill comparable to Elvgren, though Runci apparently
is not a graduate of the Sundblom shop.
Runci was a portrait artist in Hollywood when he was approached by a
calendar company for pin-ups. Martignette notes that Runci girls
frequently get caught in compromising situations climbing a fence to
flee a bull, dress blowing up on a Ferris Wheel ride.
Runci's early 1950s girls are rosy-cheeked, voluptuous, often blonde
Marilyn Monroe-types whose wholesome sensuality radiates off the canvas.
He also dabbled in the glamour-gown sub-genre, creating startlingly
life-like effects in the silky folds of garments. Martignette speculates
that Runci's artist wife may have likewise done similar, but slightly
looser pin-ups also under the singular "Runci" by-line.
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